fēnghuāxuěyuè

风花雪月

Word · IdiomTraditional風花雪月

flowery but empty writing; romantic but impractical love affairs

Tone colorsmāmámǎmàma

Meanings

2 senses · 6 examples
1.

idiom

flowery but insubstantial writings; poetry fixated on natural scenery

literary

Used to criticize literature or art that is overly ornate but lacks depth or serious content. Often has a derogatory connotation.

Tā他
de的
zǎo早
qī期
zuò作
pǐn品
bù不
guò过
shì是
xiē些
fēng风
huā花
xuě雪
yuè月
 ,
quē缺
fá乏
duì对
shè社
huì会
de的
shēn深
kè刻
sī思
kǎo考
 。

His early works were nothing but flowery writing, lacking deep reflection on society.

Wǒ我
men们
bù不
néng能
zǒng总
chén沉
nì溺
zài在
fēng风
huā花
xuě雪
yuè月
de的
miáo描
xiě写
zhōng中
 ,
wén文
xué学
yīng应
gāi该
yǒu有
gèng更
guǎng广
kuò阔
de的
zhǔ主
tí题
 。

We cannot always indulge in descriptions of wind, flowers, snow, and moon; literature should have broader themes.

Show 1 more example
Zhè这
bù部
xiǎo小
shuō说
bǎi摆
tuō脱
le了
jiù旧
shì式
wén文
rén人
de的
fēng风
huā花
xuě雪
yuè月
 ,
zhí直
miàn面
xiàn现
shí实
kǔ苦
nàn难
 。

This novel broke free from the old literati's flowery style and directly confronted the hardships of reality.

2.

idiom

romantic but frivolous love affairs; sentimental dalliance

informal

Refers to romantic, often fleeting or superficial, relationships, focusing on the sentimental and pleasurable aspects rather than deep commitment. Can imply a lack of seriousness.

Nián年
qīng轻
rén人
bù不
yào要
zhěng整
tiān天
zhǐ只
xiǎng想
zhe着
fēng风
huā花
xuě雪
yuè月
 ,
yě也
yīng应
gāi该
wèi为
wèi未
lái来
fèn奋
dòu斗
 。

Young people shouldn't spend all day thinking only of romantic dalliances; they should also strive for their future.

Tā他
men们
de的
guān关
xì系
bù不
zhǐ只
shì是
fēng风
huā花
xuě雪
yuè月
 ,
ér而
shì是
jiàn建
lì立
zài在
xiāng相
hù互
zūn尊
zhòng重
de的
jī基
chǔ础
shàng上
 。

Their relationship is not just frivolous romance; it's built on a foundation of mutual respect.

Show 1 more example
Diàn电
yǐng影
lǐ里
chōng充
mǎn满
le了
fēng风
huā花
xuě雪
yuè月
de的
qiáo桥
duàn段
 ,
què却
hū忽
lüè略
le了
rén人
wù物
nèi内
xīn心
de的
chéng成
zhǎng长
 。

The movie is full of sentimental romantic scenes but neglects the characters' inner growth.